..and then two turn up at once.It was my great honour to document the moment that Simon Casson and Luke Wright's hairdos met for the first time.
It's the first time I've seen Luke look apprehensive.
Luke wants to be Poet Laureate, and performs a rather good show on the subject upstairs from me at the Pleasance Dome. Doesn't Simon look young since he's gotten rid of his moustache?
(scroll down to my very first post to see Simon with his facial hair intact)
My excellent New York friends The Wau Wau Sisters are in London to perform two gigs at the JermynStreet Theatre. Go See!
Judy, Ben, Dan and Malcolm.
Competition. Guess which one of them is not an actor.
I bid farewell to New York and embark on a 1000 mile drive to Wisconsin.
This is Will:
We have been sleeping on Will's floor.
Will is an actor, but, controversially, does not work for the Apple Store.
In an attempt to escape the heatwave, I've gone to New York City, where the weather is much more British:
Whilst here I thought I'd do some warm-up gigs for my forthcoming Edinburgh run of 'Did Priya Pathak Ever Get Her Wallet Back?'. In an attempt to lure you into purchasing tickets from edfringe.com, here a preview of the start of the show:
Pretty compelling, eh?
Despite the wet weather, it's still pretty humid, and so my American hosts have been busy devising novel solutions to the problem of keeping cool. #1 The Frozen T-Shirt, as modelled by Dave, who is an actor and works for the Apple Store:
#2 Sitting in front of powerful fan in Katz' Deli:
Katz' Deli is where Meg Ryan's fake orgasm scene from When Harry Met Sally was filmed:
All sorts of famous people have been there:
Evidence that Katz' Deli is a strategic element of the Military Industrial Complex:
Ken is an actor, and works for the Apple Store too. He has the first Ipod ever released:
What's reassuring is that, even though Great Britain has lost much of it's standing in the world, young New York kids are still listening primarily to crap British music:
I travelled by train to Ipswich recently for the launch of the Pulse Festival 2006.
At Liverpool Street I walked to Coach A, at the front of the 10:30 'one' service to Norwich, to get an empty table with a a forward-facing window seat.
There's only one other person in the carriage.
Two Deutche Bank colleagues get on the train. The lady asks the man which seat he wants. He replies:
'I always sit with my back to the train. Ever since I was in that train crash.'
A chill goes through the carriage.
I smile at the man as if to say: 'Go on, tell us your story'.He continued to expain to his colleague, possibly his diary secretary, that in 1986 ('you probably weren't alive!') he was at the rear of a train passing through Stafford which crashed on a crossing. The crossing had always given priority to trains from London, but one day they changed it, and they didn't tell the driver, and by the time he realised, it was too late.
The lady sitting opposite him had been flung into the table ('Where you're sitting') and a woman in the toilet came out covered in blood. Three carriages were on top of each other when he got off of the train.
It was quite funny how detatched the man seemed as he recounted his story. I suppose he's had twenty years to mull it over.
Interestingly, no one else in Coach A, myself included, changed seats. I guess we all felt a bit too self-conscious.
You have to balance the increased chance of death with the desire to have a nice view.
It's a bit like a Larry David anecdote I heard once: "I did once try and stop a woman who was about to get hit by a car. I screamed out, 'Watch out!' And she said, 'Don't you tell me what to do!' I tried to save her life and she screamed at me. That's all it took, I got out of the 'nice' business at that point."
only a bit, though.
Here's a picture of the train crash:
Further info about the accident can be found here.
I arrived at the venue in Ipswich to find my face plastered all over it:
(Click to Enlarge)
It was mildly unsettling, a bit like in that episode of I'm Alan Partridge when Alan walks into his obsessive fan's living room to find it covered in pictures of himself.
On the plus side, they'd stretched my face vertically, which made me look rather svelte.
(a method used in the video for "Promise of a New Day" by Paula Abdul which employed anamorphic lens compression to stretch images of her vertically on the screen, thereby making her appear taller and thinner.)
Let me assure you that such jiggery-pokery is not part of my technical rider. In fact I often supply venues with pictures of me looking quite ugly, so that when people come to the show they're impressed by how fit I look in comparison.
Tricks of the trade.
Here are two potentially conflicting videos pertaining to Belgian escalators:
They've got some pretty good Brutalist architecture in Brussels.
It's a bit like Birmingham in the mid-nineties in that respect.
And in that respect only.
Go see it now before they knock it all down!
I feel your scorn and I accept it.
I've been accumilating quite a collection of close-up insect photographs. This is a Belgian fly (Click to enlarge):